This paper investigates the articulation of queer voices and the representation of gender fluidity in Indian Writing in English (IWE) from the late twentieth century to the present. Situating itself at the intersection of queer theory, postcolonial studies, and feminist criticism, the paper examines how writers such as Vikram Seth, Vikram Chandra, Arundhati Roy, R. Raj Rao, Mahesh Dattani, and Anjali Joseph have engaged with non-normative sexualities and gender identities within the specific cultural, legal, and historical contexts of the Indian subcontinent. The paper argues that queer Indian writing in English cannot be adequately understood through Western queer frameworks alone; it must be read in relation to indigenous traditions of gender multiplicity — including the figure of the hijra, the concept of tritiya-prakriti (the third nature), and pre-colonial erotic cultures — as well as through the legacy of colonial law and the postcolonial state's ambivalent relationship to LGBTQ+ rights. The paper traces the movement from coded representation to explicit self-articulation in IWE, analysing the aesthetic strategies through which queer subjectivity has been constructed, contested, and celebrated.