Multinational Research Society Publisher

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Our Mission
At MRS Publisher, our mission is to advance the dissemination of high-quality, peer-reviewed research to a global audience, enabling unrestricted access to scholarly content. We strive to facilitate the free exchange of knowledge and foster academic collaboration, empowering researchers, educators, and practitioners across disciplines to contribute to the advancement of science and society. By providing open access to research outputs, we aim to enhance the visibility, impact, and accessibility of scholarly work while supporting a sustainable and equitable knowledge-sharing ecosystem.
Our Vision
Our vision is to become a leading force in the global open-access publishing landscape, promoting transparency, inclusivity, and collaboration within the scientific community. We envision a future where all academic research is freely accessible, enabling innovation, accelerating discovery, and supporting evidence-based decision-making in policy, education, and practice. Through our commitment to open access, MRS Publisher seeks to break down barriers to knowledge and empower a diverse range of voices and perspectives in the pursuit of knowledge and societal progress.
Open Access Policy
MRS Publisher is committed to promoting open access to all scholarly works published under our name. We firmly believe that providing open access to research articles, journals, and other scholarly materials increases the visibility and accessibility of research, maximizes the impact of scientific inquiry, and accelerates the exchange of knowledge across borders and disciplines.
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Latest Article
1. Eroding Landscapes, Eroding Identities: An Ecocritical Study of Kiran...
0

Dr. Rajendra D. Gholap*
Associate Professor, Dept of English, KRT Arts, BH Commerce and AM Science (K.T.H.M.) College, Nashik, Affiliated to Savitribai Phule Pune University, Pune
50-54
https://doi.org/10.5281/zenodo.20178032

This paper undertakes a sustained ecocritical examination of Kiran Desai's fiction, with particular attention to her debut novel Hullabaloo in the Guava Orchard (1998) and her Booker Prize-winning The Inheritance of Loss (2006). Drawing upon the theoretical frameworks of ecocriticism, postcolonial ecology, and environmental humanities, the study investigates how Desai employs landscape, geography, and ecological degradation as literary devices that mirror and intensify the psychological, cultural, and political fragmentation of her characters. The central argument of the paper is that in Desai's fictional world, the erosion of the natural environment is inseparable from the erosion of human identity, community, and cultural memory. Through close textual analysis, the paper explores how the Himalayan foothills of Kalimpong and the withering guava orchard of Shahkot become symbolic territories where ecological loss resonates with existential crisis. The study further situates Desai's work within the broader discourses of climate anxiety, postcolonial guilt, and the enduring legacies of imperial exploitation that continue to shape both environments and human subjectivities across the Indian subcontinent. The paper concludes that Desai's fiction makes a significant and underappreciated contribution to Indian English literature's engagement with environmental ethics and ecological consciousness.
2. Queer Voices in Contemporary Indian English Literature: Identity, Resi...
0

Dr. Sudeek Kumar Singh*
PhD (English) Dr. R N. Singh + 2 School Chapra, Bihar
10-13
https://doi.org/10.5281/zenodo.20177697

The emergence of queer voices in contemporary Indian English literature represents one of the most significant and politically charged developments in the nation's literary landscape since liberalization. This paper examines the ways in which queer writers and texts in India negotiate the intersecting pressures of colonially inherited legal structures, postcolonial nationalism, caste and class hierarchies, and the imperatives of global LGBTQ+ visibility politics. Focusing on selected works by authors including Vikram Seth, R. Raj Rao, Mahesh Dattani, Ismat Chughtai (in translation and critical discourse), and emerging contemporary voices, the paper argues that queer Indian English literature does not constitute a monolithic tradition but a richly plural field of contestation — one in which desire, gender, caste, religion, and regional identity intersect in ways that resist assimilation into Western queer frameworks. Drawing on queer theory, postcolonial feminist criticism, and Dalit-queer scholarship, the study traces the evolution of queer representation from coded, euphemistic textual strategies under conditions of legal and social prohibition to the more explicit and politically assertive literature that followed the decriminalization of homosexuality in India in 2018. The paper also interrogates the politics of language, arguing that the choice to write in English implicates queer Indian authors in complex negotiations between global legibility and local specificity. Ultimately, it contends that queer Indian English literature constitutes a crucial archive of dissent — a body of work that challenges not only heteronormative social structures but also the exclusions produced by nationalism, casteism, and postcolonial modernity.
3. Magic Realism as Postcolonial Strategy in Salman Rushdie's Midnight's...
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Dr. Sanjiv Ranjan*
PhD (English) Vill. Chhawai Taki, Gopalganj, Bihar
7-9
https://doi.org/10.5281/zenodo.20177590

Salman Rushdie's Midnight's Children (1981), winner of the Booker Prize and the Booker of Bookers, stands as one of the most celebrated and critically examined works of postcolonial literature in the English language. This paper examines how Rushdie employs magic realism not merely as an aesthetic device but as a deliberate postcolonial strategy — a mode of narration that challenges the epistemological authority of colonial historiography and asserts the validity of alternative, subaltern ways of knowing. Through the figure of Saleem Sinai, the telepathically gifted narrator whose personal history is inextricably bound to the history of independent India, Rushdie constructs a counter-narrative to the official discourses of nationalism, modernity, and progress. Drawing on the theoretical frameworks of Homi Bhabha, Gayatri Spivak, Frantz Fanon, and Wendy Faris's scholarship on magic realism, this article argues that the novel's fantastical elements — the Midnight's Children's Conference, Saleem's permeable sinuses, and the Sundarbans episode — function as sites of epistemic resistance, enabling the recovery of marginalized histories and the destabilization of monolithic national identity. The paper further contends that Rushdie's self-reflexive narrative style enacts a politics of hybridity that exposes the fictionality of all grand narratives, colonial and nationalist alike, proposing instead a pluralistic, provisional, and embodied understanding of history and selfhood.
4. RECLAIMING NARRATIVES: DECONSTRUCTING PATRIARCHY THROUGH SITA AND DRAU...
0

S. Bala Kumari*, Dr. B.V. Rama...
Research Scholar, GIET University, Gunupur, Odisha
1-6

The present research paper aims at two feminine epic characters- Sita & Durapadi in Indian English literature from the Ramayana and the Mahabharata for analysing patriarchy deconstruction in modern literature. Since traditional interpretations have limited these characters to perform obedience while making devotion and sacrifice their primary functions, they faced patriarchal evaluations that uphold social gender rankings. Contemporary Indian English writers have taken control of traditional stories to subvert original interpretations which leads to social structures becoming unstable. This paper examines the portrayal of female mythological characters and their resistance and desires through critical analysis of The Palace of Illusions and The Forest of Enchantments by author Chitra Banerjee Divakaruni. Through these texts Sita and Draupadi have become popular among young professional writers who began to interpret instead of object status to tell their own story rather than become background characters. Through first-person narratives and introspective storytelling, the authors critique the silencing mechanisms of patriarchy and foreground the emotional and intellectual complexities of these women. The author uses feminist literary theory with postcolonial discourse to explain why these revisions matter during Indian sociocultural development. Through their revision of mythology these works engage in two interconnected activities which confront patriarchal traditional beliefs of religious text and combat European literary institutions that suppress native identities along with gendered expressions. This research paper demonstrates the restaging of Sita and Draupadi in Indian English literature creates a strong form of feminist intervention in Indian cultures. These works achieve two objectives by modifying traditional interpretations as they continue to spark critical analysis regarding modern issues between gender and power structures.
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